These 21st-century movies deserved better at the Oscars

‘Lady Bird’ isn’t a political film — but the Oscars need it to be

The “art vs. artist” debate should end with 2017

Quentin Tarantino doesn’t deserve praise for his Weinstein confession. But his honesty is necessary.

Todd Haynes’ new film ‘Wonderstruck’ is a spiritual sequel to ‘Velvet Goldmine’

Everyone knew Harvey Weinstein was an alleged predator — and that’s exactly why he thrived

‘Mother!’ is proof that Darren Aronofsky should only make horror movies

Kathryn Bigelow’s ‘Detroit’ reveals her incomplete transformation from genre genius to social critic