Beyoncé nearly captures the perfect club night with ‘Renaissance’
Joey Badass loses a step on '2000'
Lizzo's new album 'Special' is anything but
On WASTELAND, Brent Faiyaz won’t let himself off the hook
'Honestly, Nevermind' is the best record Drake has ever made
The hollow, algorithmic charm of BTS
On his new album, Post Malone proves yet again he has nothing to say
On 'The Eminem Show,' the rapper sharply skewered society — but lost sight of himself
On 'Harry’s House,' Styles struggles to outrun his influences
On ‘Mr. Morale & The Big Steppers,’ Kendrick Lamar begs you to put your phone down
Jack Harlow’s new album is painfully indistinct
Future is at his best when he’s experimental and unpredictable
Ralfy the Plug’s 'Skateboard P' is cryptic but defiant
DJ Kay Slay evolved with hip-hop, and hip-hop evolved with him
On 'Pluto,' Future proved to be one of the most transformative artists of his generation
Vince Staples finds quiet, meditative brilliance on ‘Ramona Park Broke My Heart’
Dreamville’s Gangsta Grillz mixtape celebrates the past but can’t recreate it
Buddy’s 'Superghetto' is brief but invigorating
Lil Durk’s 7220 is haunted by tragedy
On 'Donda 2,' Kanye West is a ghost within his own music
