How ‘Sorry to Bother You’ and ‘Madeline’s Madeline’ are pushing independent filmmaking forward

Kanye West is desperate

In Aaron Katz’s ‘Gemini,’ LA noir is filtered through a modern lens

‘Isle of Dogs’ is Wes Anderson at his best and worst

David Byrne talks new album ‘American Utopia’ and why we all have Reasons to Be Cheerful

Anna Deavere Smith talks ‘Notes From the Field’ and why she’s excited about the future of art

James Franco’s handling of these sexual misconduct allegations isn’t heroic — it’s manipulative

In Paul Thomas Anderson’s ‘Phantom Thread,’ love and exploitation go hand in hand

Tonya Harding is an antihero in ‘I, Tonya.’ But the American public is the villain.

Know how the Oscars can address Hollywood’s sexual misconduct scandals? Start with a female host.

Guillermo del Toro’s ‘The Shape of Water’ is a stunning fairy tale about being seen

Could 2018 be the year Kendrick Lamar finally wins a Grammy for album of the year?

Q&A: ‘Blade Runner 2049’ director Denis Villeneuve doesn’t want to live in 2017, either

Actor Caleb Landry Jones has had a stellar year — and he did it by tapping into white rage on-screen

I was a fan of Louis CK and I didn’t want to believe the rumors. Now they’re more than rumors.

Greta Gerwig’s ‘Lady Bird’ is a reminder that “white working class” doesn’t just mean one thing

George Clooney’s ‘Suburbicon’ tries to tell a clever story about race relations. It fails.

Here’s a chart showing the age gaps between romantic partners in Woody Allen’s movies

Now is actually the perfect time for Louis CK’s ‘I Love You, Daddy’